Project #5: Life after SHSU
The Profession
Non-Union
1) CASTING CALL GOSPEL STAGE PLAY REPENT & LETS HAVE CHURCHTexas (USA)
To submit yourself electronically to this project, click on the role you would like to submit for. A window with your available photos will open. Select which photo you would like to set as primary and then press submit.
Date:
2010-04-02
Production Company:
Black Star Entertainment
Type:
Non-Union Theatre
Casting Director:
LaRaine Duhart
Union:
Non-Union
Phone Number:
Not Applicable
Email Address:
http://www.actorspages.org/notice_details.php?pd_id=6929#
Shoot/ Start Date:
06/26/2010
ELECTRONIC SUBMISSIONS
Compensation:
Credit, DVD, Payment
Shooting Location:
Dallas
PROJECT DESCRIPTION:
Samantha Moore is an smooth manipulating young model who gets what she wants regardless of who she hurts in the process. When Samantha meets Pastor Marcus Neal her life changes. But, for all the wrong reasons. This story is about Lust, love, betrayal, & forgiveness This unique theatrical play (ministry) is inspirational, realistic and dramatic! This is a must see production!
CHARACTERS
SAMANTHA MOORE
(20-23 Female ) strong personality...sassy....fashion model style
ROBIN MOORE
(24-26 Female ) Self-centered, focused on money, strong drive to be successful.
LEA RAMOS
(24-27 Female ) Rude, cold hearted, high energy
DANIELLE HUNTER
(20-24 Female ) parent pleaser...deceitful
2) This Casting Call filed in: Casting Calls in Dallas, TX / Non Union Auditions / Paid Auditions and Casting Calls / Theater Auditions
Auditioning bright, comedic actors for fun improvisational theatre – paying gigs (Dallas, TX)
OPEN GENERAL AUDITIONS 2010PRODUCTION COMPANY: Keith & Margo’s Murder Mystery TexasARTISTIC DIRECTOR: R.C. Banks
DESCRIPTION: Incognito Improv Troupe based in Addison, Arlington, and Downtown Dallas. A non-traditional, ground-breaking approach to audience-participatory theatre. A Theatre/Dining Experience unlike any other… set in a modern-day backdrop of a homicide investigation and crime scene.
REVIEWS: “Keith & Margo have set the standard that all others try and emulate… They are the masterminds of the genre! By far the most professional and elegant!”– Los Angeles Times
“The Rolls-Royce of Mystery companies… Still the best!”– In Hollywood Magazine
Featured on ENTERTAINMENT TONIGHT and LIFESTYLES OF THE RICH AND FAMOUS
TROUPE MEMBER COMMITMENT: Extremely flexible. You are always able to audition for and to do other projects. Only say “Yes” to a given gig offer when you are available.
Union
3) Orlando Shakespeare Theater 10-11 - NYC appts. Orlando Shakespeare Theater in partnership with UCFOrlando, FL
Send ToCompany Manager, Orlando Shakespeare Theater812 East Rollins StOrlando FL 32803
PersonnelArtistic Director: Jim HelsingerCasting Director: Patrick Flick
Other2009-10 min./wk.: SPT: $368-$517 (range); LOA: $555.www.orlandoshakes.org
ContractLOAand SPT. See Other.
SeekingActors (m/f). See Breakdown for appointment prep instructions.Note from AEA: Equity Principal Auditions (EPA procedures) will be held on May 25, 2010. For shows/available roles info, please see the EPA casting notices (Parts A and B).
BreakdownA breakdown has been added for this notice. Click here to browse.
Other DatesFor consideration, mail picture and resume by May 14.NYC appointment auditions: Wednesday, May 26 and Thursday, May 27.
BreakdownA breakdown has been added for this notice. Click here to browse.
4) The Break Up NotebookZachary Scott Theatre CenterAustin, TX
Call TypeEquity Principal
Date of Audition5/10/2010
LocationZachary Scott Theatre1510 Toomey RoadAustin, TX 78704Studio
MapQuest Directions
Time(s)Monday, May 10th3pm to 11pm BY APPOINTMENT ONLY
AppointmentsPlease email Lily Williams for an appointment at lwilliams@zachtheatre.org. Please include a head shot and resume. > A monitor will not be provided. The producer will run all aspects of this audition.
PersonnelDirector: Peter SchneiderZACH Theatre Producing Artistic Director: Dave Steakley
Other DatesFirst Rehearsal:12/27/10Performance Dates:1/20/11-03/13/11
ContractSPT$284/wk
SeekingThe role of Helen is cast. We are seeking all other characters.
BreakdownA breakdown has been added for this notice. Click here to browse.
PreparationPlease prepare a pop/rock song and a contemporary musical theatre song. Make sure to include one ballad.
Other
Performers of all ethnic and racial backgrounds are encouraged to attend.
Always bring your Equity Membership Card to auditions.
Graduate School
1) Mission Statement
The Department of Theatre and Dance at The University of Texas at Austin exists as a diverse educational community of artists and scholars who are committed to excellence in teaching, research, creative practice and service.
We train students to work in professional arts environments as well as educate them in the rich traditions of theatre and dance. We encourage our students to be critical spectators as well as professional practitioners, and educate them to the importance of arts advocacy and promotion. We believe students should hold deep, complex understandings of theatre and dance so that they can participate in the widest possible cultural conversations about the arts.
We empower students by challenging assumptions, stressing continuing intellectual and artistic development and demanding high standards of achievement. As educators we are committed to the continual examination of our own teaching, the integration of research and creative practice into the classroom and high levels of expertise in our various disciplines. We model collegiality, free and open expression, collaboration, intellectual honesty and civility and expect that our students will do so as well. We value innovation, craft and vision as positive attributes of research and creative production.
As artists and scholars we remain active in our respective fields. As citizens of the department, we believe in a system of self-governance and self-evaluation consistent with university policy, and we accept our responsibility to share in departmental administration. We also commit to serve the College, The University, our respective disciplines and the state in which we live and work. As a community we are actively committed to diversity as essential to the educational experience of our students.
Admissions Process
Prospective M.F.A Acting students are required to audition first, prior to submitting their application materials. Application fees paid to the Graduate and International Admissions Center (GIAC) cannot be refunded.
Auditions for the Class of 2013 will take place at all three U/RTA sites: New York, Chicago and San Francisco, in January & February 2010. http://www.urta.com/Additionally, for those who cannot attend U/RTA and wish to audition in Austin, we have scheduled the following onsite audition dates:
Sunday, November 22, 2009Saturday & Sunday, December 12 & 13, 2009Saturday & Sunday, January 30 & 31, 201010:00am - 4:00pm
Please prepare two contrasting monologues (one classical, if possible) totaling no more than 3 minutes combined. You will have the option of singing 16 bars of a song. Please bring your own tape or CD. A player will be provided. Please bring an 8x10 headshot and resume. There may be callbacks at the end
2)
The Master of Fine Arts in Acting program at UCLA's School of Theater, Film and Television is a comprehensive three-year course of study that prepares actors to work professionally in all mediums, genres and styles of performance.
Designed to be eclectic, the program encourages each actor to discover methods of working best suited to his or her individual talents. The essence of this training is achieved organically through classroom study, studio work and autobiographical exercises in a small, highly individualized and collaborative setting.
At UCLA, practical experience is paramount. Students complete a variety of performance projects, including a full repertory season, a touring company production, and the opportunity to act in a professionally written and directed film. Produced by the Theater department, this film is a unique aspect of UCLA's program, which provides students with practical camera experience both in a studio and on location.
With excellence being the minimum standard for success in the field, UCLA's MFA program in Acting draws on the vast resources of Los Angeles and its accomplished professional faculty to offer a rigorous course of study to a select body of students. The program is taught by permanent faculty, adjunct professors and professional actors and directors. Students are chosen from candidates who have passed an audition by showing promise, talent and dedication for the work. The program is full-time and the students are fully committed to all classes, workshops and performance projects.
The program is rigorous, intensive and demanding. Consistent progress and achievement are required of our students, whose principle aim is to become professional actors. The aim of the program is to explore their use of self, their imagination, body and voice and to develop their skills in reading and responding to text---which is why both text analysis and theatre history are required components of the training. The overall design is based on how the actor acquires a process, or a way of working. And of course this is largely personal: each actor takes what he or she can.
The essential spirit of the UCLA acting program is based on eclecticism, various points of view and multiplicity of experience. We do not profess to be disciples of any one method or system of acting. Each actor learns how to become their own best teacher, a skill that will become increasingly valuable as their career evolves.
Admissions
APPLICATION POSTMARK DEADLINE: JANUARY, 15, 2010
Complete and submit the online UCLA Graduate Division application. Make sure to indicate Theater as your major, and MFA as your degree.
Complete and submit the online Departmental application
Complete and submit the following application materials to: Natasha Levy, UCLA Department of Theater, 103 E. Melnitz, Box 951622, Los Angeles, CA 90095-1622. (Please visit UCLA Graduate Admissions for all forms.)
Two official copies of each college/university transcript.
Supplementary Forms
Statement of Purpose
Three Letters of Recommendation
Cross-Reference Sheet, if applicable
Resume of training and experience in theater or other related work
3) Mission
The mission of the School of Theatre and Dance shall be to educate and train artists, scholars, and teachers, and to provide for its students a foundation of professionalism and dedication to their art within a climate of diversity, discovery, and risk. It strives to develop in its students and audiences an enduring passion for theatre and dance.
The fundamental purpose and primary responsibility of the School, through its various degree programs, is the education and training of the next generation of artists, scholars, and teachers, enabling them to compete successfully in the professional world. Education and training are inseparable as the School aims for the closest possible union between academic and applied knowledge, theory and practice, experience and reflection, within a thoroughly integrated curriculum that is sensitive both to the practical needs of an ever-changing marketplace and to the intellectual needs of the individual student. Stage and classroom are engaged in constant mutual exchange.
As part of a university, the School understands that it contributes to a larger civilizing project and that the complete artist is the thinking artist who augments the mastery of concrete skills with an acute consciousness of the cultural environments and the broader realm of arts and ideas. Conversely, it provides many UF students with their first exposure to theatre and dance, and nurtures the audiences of the future. To ensure the fusion of education and training, the School promotes close collaboration among the several areas within the School, as well as interdisciplinary cooperation with departments and programs on this and other campuses. The faculty is composed of nationally and internationally recognized practicing artists, teachers, and scholars committed to research and creative activity.
Admissions
Admission to the Master of Fine Arts Theatre degree program is based on artistry and scholarship. We will begin recruiting our next Master of Fine Arts class in early 2010.
Placement in the program will be determined through audition/portfolio review, academic credentials, diagnostic testing, and personal interview. Candidates for admission should have adequate training in theatre. Deficiencies may be corrected before beginning graduate study.
Faculty from the University of Florida audition prospective graduate students at the National Unified Auditions and Interviews (NUA/Is) of the University/Resident Theatre Association (U/RTA). Please follow the U/RTA recommended guidelines for the audition at http://www.urta.com/ or Please call 212 221-1130. Interested students should complete the U/RTA application packets no later than mid-November 2009. Acting & Design faculty from the University of Florida will be in the following cities and look forward to meeting you and viewing your work.
New York City: January 23 - January 27, 2010Chicago: January 29 - February 3, 2010San Francisco (Acting Only): February 5 - 6, 2010
Application is now available online! We thank you for your interest and hope to meet you in person. Actors please contact Dr. Mikell Pinkney at (352) 273-0512 or mpinkney@ufl.edu if you have other questions related to the acting program.
Teaching
1) Secondary Teaching
Post baccalaureate students requiring this service must secure certification plans from the Teacher Education Records Office in the School of Education and Human Development. A service charge of $25.00 is required for a student requested certification plan. The student is required to complete a student teaching experience. However, an internship is made available to students who secure a teaching position, in the area and at the level that they are seeking certification, in an accredited school.
The School of Education and Human Development also offers teacher certification programs for those teachers-in-service that are teaching in accredited schools. The School district where they are employed will have to request an official deficiency plan in writing. The student must serve an internship in lieu of student teaching. (To serve an internship, you must contact the Teacher Education Records Office, complete all necessary paper work, and enroll in the appropriate courses.)
The basic requirements for securing a certificate in this manner are similar to those listed for undergraduate students. The candidates are permitted to substitute equivalent semester hours of a one-year Internship in a school accredited by the Texas Education Agency for the required six semester hours of student teaching.
The teaching areas available for post baccalaureate students are identical to the specialization fields accessible to undergraduate students. A minimum of twelve semester hours must be completed at UHV as part of any certification or endorsement program. Course work that is ten years old or older must have approval by the Certification Officer. The student must be admitted to the Teacher Education Program.
All teacher certification transactions and/or inquiries for UHV are made through the Teacher Education Records Office in the School of Education and Human Development.
NOTE: Upon completion of C&I 3323 and IDS 3323 courses you must pass the PPR qualifying test with an 80% or higher to advance to further education courses.
2) Community Colleges
College of Marin
Drama Instructor - Part-time Temporary Pool
Posting Number: 0600112
Main Department: Performing Arts
Job Category (EEO): Faculty - PT Temporary
Type of managerial position: This is not a management position
Faculty Status: Part-time Temporary Pool
Percent of Full-time Equivalency (FTE):expressed as a decimal, e.g., 0.75
Essential Functions: Instructors appointed to the part-time temporary pool may be used to cover part-time, temporary and/or substitute openings in the department. Assignments can vary in duration and are not guaranteed. Assignments for Drama pool instructors include:
* Providing effective classroom or laboratory instruction using methods and materials appropriate to the subject matter* Preparing and grading all class assignments and examinations* Advising, assisting and evaluating students, evaluating learning outcomes and maintaining regular office hours* Participating in program activities including curriculum and program planning, development, evaluation, and decision making as well as the development of new teaching-learning methods and materials* Contributing to development of program policies and procedures* Participating in disciplinary, departmental, and college professional activities and/or committees* Maintaining accurate and timely student records as required* Maintaining currency and depth of knowledge in assigned area of responsibility* Maintaining appropriate standards of professional conduct and ethics* Communicating with excellent written and oral skills in EnglishOther Functions: Knowledge, Skills and Abilities:Desirable Attributes & Skills * Competencies related to: curriculum & course development; teaching & learning theory; information resources & evaluating student outcomes; and, assisting student to develop critical thinking skills* Ability to communicate clearly orally and in writing with a diverse campus community* Currency and depth of knowledge in assigned area of responsibility and subject matter* Strong organizational skills* Ability to work effectively and professionally with colleagues and members of the campus community* Commitment to the teaching profession, its goals and ideals, and enthusiasm for the mission of the College of Marin* Familiarity with, willingness and ability to use multiple teaching methods including computer based learning* Ability and enthusiasm to use teaching methods that engage students and encourage them to be motivated self learners* Evidence of excellent written and oral skills in EnglishPosition Requirements: 1.) A Master's degree in Drama/Theater Arts/Performance; OR2.) A Bachelor's degree in Drama/ Theater Arts/Performance AND a Master's in Comparative Literature, English, Speech, Literature, or Humanities; OR3.) The equivalent; AND4.) Demonstrated sensitivity to and an understanding of the diverse academic, socioeconomic, cultural, disability and ethnic backgrounds of community college students and the campus community.
3) Senior Colleges and Universities
Adjunct Faculty in Theatre - World Theatre History
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Institution:
Eastern Connecticut State University
Location:
Willimantic, CT
Category:
Faculty - Fine and Applied Arts - Theatre and Dance
Faculty - Fine and Applied Arts - Art History
Posted:
04/12/2010
Application Due:
Open Until Filled
Type:
Part-Time/Adjunct
Eastern Connecticut State University is seeking PT Faculty to teach World Theatre History I (Ancient to 17th C) and Introduction to Theatre, both serving Major and Liberal Arts Program students. Candidates should have teaching experience, a Ph.D. in Theatre History (ABD considered). Future classes may include World Theatre History II (17th Century to Present), Dramatic Theory & Criticism, Contemporary World Theatre and/or Special Topics in areas of specialty. Please email (pellegrinid@easternct.edu) for more information, or send cover letter, three letters of reference, and transcripts to David Pellegrini, Chair, Performing Arts Department; Shafer 12; Eastern Connecticut State University, Willimantic, CT 06226.
Application Information
Monday, April 12, 2010
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